The Inheritors combines steamy sex with stultifying descriptions of multi-million dollar financial deals.
To make things worse, Harold Robbins’ odd organization makes following the story difficult.
Steve Gaunt and Sam Benjamin are frenemies and business partners. Steve and Sam each have three-track minds: Women, booze, and business.
Needless to say there’s not a lot of character for Robbins to develop.
Robbins opens the novel with a chapter about the morning of a spring day in which Steve and Sam talk about things that mean nothing to readers.
Books one and two relate events of 1955-60 in New York from the viewpoints of Steve and Sam respectively.
Then there’s a chapter about the afternoon of the spring day.
Next books three and four relate events of 1966-65 in Hollywood from the viewpoints of Steve and Sam respectively.
Sam, the homely fat guy, is the more interesting of the two. The suave Steve with his nose in a balance sheet is not stimulating company for any reader.
What little interest there is in the novel is in the cultural history of how television disrupted the film industry, embraced rock music, and metamorphosed into the communications industry.
The Inheritors by Harold Robbins
Pocket Book Edition, 1971. 373 p. paper. 1969 bestseller #4. My grade: C-.
© 2017 Linda Gorton Aragoni